LLee Filters Canada
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RESIN CAMERA FILTERS
Technical Filters
***New*** "The Big Stopper"
Effect Filters
RF75 System *NEW*
 
 
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Lee Filters Canada
#103 - 7 Labatt Ave.
Toronto, ON
M5A 1Z1
(416) 361-9390
info@tyi.ca

 
 
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Resin Camera Filters

Click here to view "Before and After" samples.

Technical Filters

Colour Temperature Adjustment Filters

A range of filters which are used to convert the colour temperature of a light source to balance with the film type in use, or to create an intentional warm or cool effect.

 

Description
Filter
Approximate Exposure Increase
Conversion
Mired Shift
100mm x 100mm $100.00/ea.
Blue for major adjustment
80A
2
3200K to 5500K
-131

80B
1 2/3
3400K to 5500K
-112

80C
1
3800K to 5500K
-81

80D
2/3
4200K to 5500K
-56

Pale Blue for fine adjustment
82C
2/3
2800K to 3200K
-45

82B
2/3
21000K to 3200K
-32

82A
1/3
3000K to 3200K
-21

82
1/3
3100K to 3200K
-10

Pale Amber for fine adjustment
81
1/3
3300K to 3200K
+9

81A
1/3
3400K to 3200K
+18

81B
1/3
3500K to 3200K
+27

81C
1/3
3600K to 3200K
+35

81D
2/3
3700K to 3200K
+42

81EF
2/3
3850K to 3200K
+53

Amber for major adjustment
85C
2/3
5500K to 3800K
+81

85
2/3
5500K to 3400K
+112

85B
2/3
5500K to 3200K
+131

 

Neutral Density Filters

These filters reduce light transmission uniformly over the visible region of the spectrum, in definitive steps. Although used mainly in colour photography for reducing light levels without colour change, they can also be used for black and white photography. They are particularly useful for compensating for too much light, in circumstances where changing the shutter speed, aperture or film type is not possible or desirable. For example, exposure time can be increased to achieve special effects when photographing running water and waterfalls etc., without adjusting the aperture. In addition, depth of field can be reduced by increasing the aperture by the stop value of the filter used. For example, if the aperture is required to be f4 yet correct exposure is at f8 and the speed cannot be changed, a 0.6ND will allow the setting of the f4 aperture.

Standard (Solid)

Neutral Density
Stop Value
Transmission %
100mm x 100mm $150.00/ea.
0.3
1
50

0.45
1 1/2
39.8

0.6
2
25

0.75
2 1/2
19.6

0.9
3
12.5

1.2
4
6.25
$225.00/ea.
*** NEW ***
Big Stopper
10
0.98
$185.00/ea.

 

Graduated

Hard Graduation
Soft Graduation

 

Neutral Density
Stop Value
Transmission %
100mm x 150mm $135.00/ea.
0.3 Grad Hard
1
50

0.3 Grad Soft
1
50

0.45 Grad Hard
1 1/2
39.8

0.45 Grad Soft
1 1/2
39.8

0.6 Grad Hard
2
25

0.6 Grad Soft
2
25

0.75 Grad Hard
2 1/2
19.6

0.75 Grad Soft
2 1/2
19.6

0.9 Grad Hard
3
12.5

0.9 Grad Soft
3
12.5

NEW
1.2 Grad Hard
4
6.25
$215.00/ea.
1.2 Grad Soft
4
6.25

 

Lee Filters ProGlass
Neutral Density Standard Filters

When shooting digitally, light at the infrared and ultraviolet ends of the spectrum can be problematic. The ProGlass range of filters has been designed with this in mind. These glass neutral density filters are optimized for use with digital cameras, as they absorb more infrared and ultraviolet light than traditional ND filters. The result is a punchier image, with less discolouration in adverse lighting conditions.

 

Neutral Density
Stop Value
Transmission %
100mm x 100mm $255.00/ea.
0.6
2
25

0.9
3
12.5

 

 

Flourescent Correction Filters

This system offers filter solutions to many fluorescent correction problems. Both colour temperature conversion and green absorption functions are combined into one filter; the filter used will depend on the fluorescent light and film type.

 

Film Type
Filter
Approximate Exposure Increase
Light Source
100mm x 100mm $120.00/ea.
Tungsten (3200K)
FLB5700
1 1/3
Cool White 5700K

FLB4300
1
White 4300K

FLB3600
2/3
Warm White 3600K

Daylight (5500K)
FLD5700
2/3
Cool White 5700K

FLD4300
1
White 4300K

FLD3600
1 2/3
Warm White 3600K

 

Colour Compensating Filters

 

A range of filters recommended for use either in front of or behind the lens. They control the spectrum by reducing the transmission at specific wavelengths. They are primarily used to colour balance films, the required filter being determined as a result of tests, or as specified by the manufacturer. They can also be useful for correcting light sources for which no one conversion filter exists, or for adding a deliberate colour bias.

The values shown are approximate exposure increases to compensate for the filters used.

100mm x 100mm

*** Click on the value to add to Shopping Cart ***

CC
025
05
10
15
20
25
30
40
50
$100.00/ea.
Cyan









Principally absorbs Red
Yellow









Principally absorbs Blue
Magenta









Principally absorbs Green
Red









Principally absorbs Blue & Green
Green









Principally absorbs Blue & Red
Blue









Principally absorbs Red & Green

 

 

Ultra Violet Absorbing Filters

A range of filters used to absorb varying amounts of ultra violet radiation which can cause haze or bluish cast in distant landscapes, scenes over water, and aerial photography.

 

Filter
Description
100mm x 100mm $100.00/ea.
1A
Maximum absorption of 0.076A (84%) at 535 nanometres

1B
Maximum absorption of 0.086A (82%) at 525 nanometres

2B
Maximum absorption of 0.72A (19%) at 400 nanometres

2C
Maximum absorption of 0.39A (40.5%) at 400 nanometres

 

Tricolour Filters

Colour
Filter
Description
Approximate Exposure Increase
100mm x 100mm $140.00/ea.
Tricolour Red
25
Separation filter. Maximum transmission above 610 nanometres. Also used for black and white contrast effects, haze penetration in aerial photography, and removing blue in infra-red photography.
21/2 to 3

 

Filters for Black and White Photography

The table below details the results achieved using the black and white filter range. All descriptions refer to the filter's effect when used with black and white film (except where noted). Samples Below.

 

Colour
Filter
Description
Approximate Exposure Increase
100mm x 100mm $140.00/ea.
Light Yellow
3
Partially corrects for excess blue in aerial photography.
0

Yellow
8
Darkens sky, cloud and foliage to reproduce correct tones.
+1/3

Yellowish-Green
11
Used to alter the response of panchromatic emulsions to be equivalent to the natural response of the eye to objects under tungsten illumination. Greens are reproduced slightly lighter in daylight.
+1 1/3

Deep Yellow
12
Minus blue filter. Can be used to cancel blue light when infrared-sensitive films are exposed. Also penetration of haze during aerial photography.
+1/3

Deep Yellow
15
Increases contrast between cloud and sky greater than No. 8, for over-correction effect. Also used for copying documents on yellowed paper.
+2/3

Yellow Orange
16
Gives even greater over-correction than No. 15. Absorbs a small amount of green.
+2/3

Orange
21
Contrast filter. Absorbs blue and blue/green.
+1

Light Red
23A
Greater contrast effect than No. 21.
+2

Samples

Unfiltered Colour
Unfiltered
Light Yellow 3
Darkens blue tones
Yellow Green 11
Lightens greens / darkens reds
Orange 21
Lightens reds / darkens some blue and blue/green
Light Red 23A
Dramatically lightens reds and darkens blue and green

 

 

Effect Filters

 

Glass Polarisers

These high quality glass filters manage the waveforms of light travelling to the camera from most reflective surfaces. Glare and reflected light can be altered by rotation of the polarising filter. The effect can be seen through the lens of the reflex cameras as the filter is rotated. When used outside on sunny days, polarising filters have the effect of saturating colours and deepening blue skies. They can also be used in conjunction with other filters (although the polariser should always be placed in front of polyester filters to ensure it functions correctly).

Polarising filters are available in two types, linear and circular. This is not referring to the physical shape of the filter but to the way the filter changes the light waves thereby achieving the polarising effect. The type of polariser required (linear or circular) depends entirely on the type of camera the photographer is using. Modern reflex cameras with autofocus or complex metering systems, if used with a polariser, will only function correctly when a circular polariser is used. Manual focus cameras of all types can normally be used with either a linear or a circular type. Both linear and circular polarisers are available from Lee Filters in both a rotating 105mm diameter version and a 100x100mm square version. 100mm square polarisers are to be used in the filter holder, the entire holder is then rotated to achieve the correct effect. Recommended for studio use or for when only the polariser and, possibly, standard filters are to be used.

 

Unfiltered
Filtered

 

100mm x 100mm
Type
Price
Add to Cart
Linear
$ 275.00

Circular

$ 315.00


 

105mm
Type
Price
Add to Cart
Linear
$ 285.00

Circular
$450.00

105mm rotating polarisers are attached to the filter system via a special ring that is fitted to the front of the holder. This allows the polariser to be rotated independently of any grads used and is ideal for landscape photography where extra flexibility is required.

 
Description
Price
Add to Cart
105mm Accessory Ring
$ 65.00

 

Glass Enhancer

The glass enhancer offered by Lee Filters enhances mostly the red and orange elements in the spectrum by accentuating the other colours. Ideal for use in landscapes and some types of architectural photography, it causes many unusual effects with different types of light. Viewing the subject through the filter first, without mounting on the lens, helps to identify which parts of the picture will be affected.

 

Unfiltered
Filtered

 

100mm x 100mm
Approximate Exposure Increase
Price
Add to Cart
1
$ 365.00

 

Glass Soft Focus

The LEE Glass Soft Focus filter gives a gentle, flattering effect, which is not obviously noticeable unless compared with an unfiltered shot. It has minimal effect on contrast and does not overpower the image. Changes in aperture or focal length will not have an adverse effect. As well as being used indoors the LEE Glass Soft Focus Filter can be used just as well outdoors by landscape photographers. It can be used to soften foreground objects and can give a pleasing almost 3D effect to the image.

Unfiltered
Filtered

 

100mm x 100mm
Price
Add to Cart
Glass Soft Focus
$ 310.00

 

100mm x 100mm Resin Effect Filters

 

100mm x 100mm
$ 100.00 / ea.



Fog 1


Fog 2


Fog 3


Fog 4


Fog 5







Low Contrast 1/4


Low Contrast 1/2


Low Contrast 3/4


Low Contrast 1


Low Contrast 1 1/2






Black Net 1

Black Net 2

White Net 1

White Net 2

Flesh Net





 

 

100mm x 150mm Resin Effect Filters

 

$ 100.00 / ea.


Real Blue 1


Real Blue 2


Real Blue 3

Grad Hard

Grad Soft

Grad Hard

Grad Soft

Grad Hard

Grad Soft

 

$ 100.00 / ea.


Sky Blue 1


Sky Blue 2

 



Sky Blue 3



Sky Blue 4


Sky Blue 5

Grad Hard

Grad Soft

Grad Hard

Grad Soft

Grad Hard

Grad Soft

Grad Hard

Grad Soft

Grad Hard

Grad Soft

 


$ 100.00 / ea.

$ 140.00
$ 120.00


Cyan


Cyan 1


Pop Blue


Blue Stripe


Twilight

Grad Hard

Grad Soft

Grad Hard

Grad Soft

Grad Hard

Grad Soft


$ 120.00 / ea.


Chocolate 1


Chocolate 2

Grad Hard

Grad Soft

Grad Hard

Grad Soft

$ 100.00 / ea.


Coral 1


Coral 2

 



Coral 3



Coral 4


Coral 5

Grad Hard

Grad Soft

Grad Hard

Grad Soft

Grad Hard

Grad Soft

Grad Hard

Grad Soft

Grad Hard

Grad Soft

 

$ 100.00 / ea.


Coral 6


Coral 7

 



Coral 8



Coral 9


Coral 10

Grad Hard

Grad Soft

Grad Hard

Grad Soft

Grad Hard

Grad Soft

Grad Hard

Grad Soft

Grad Hard

Grad Soft

 

$ 100.00 / ea.
$ 140.00 / ea.


Coral 11


Coral 12

 



Coral 13



Coral 14


Pale Coral Stripe


Coral Stripe

Grad Hard

Grad Soft

Grad Hard

Grad Soft

Grad Hard

Grad Soft

Grad Hard

Grad Soft


$ 100.00 / ea.


Green 1



Pop Green

Grad Hard

Grad Soft

Grad Hard

Grad Soft

$ 100.00 / ea.
$ 140.00 / ea.


Magenta


Pink 1


Pink Stripe

Grad Hard

Grad Soft

Grad Hard

Grad Soft

$ 120.00 / ea.


Mahogany 1


Mahogany 2



Mahogany 3

Grad Hard

Grad Soft

Grad Hard

Grad Soft

Grad Hard

Grad Soft

$ 100.00


Pop Red

Grad Hard

Grad Soft

$ 120.00 / ea.


Sepia 1


Sepia 2



Sepia 3

Grad Hard

Grad Soft

Grad Hard

Grad Soft

Grad Hard

Grad Soft

$ 100.00 / ea.
$ 140.00 / ea.


Straw 1


Straw 2



Straw 3


Straw Stripe

Grad Hard

Grad Soft

Grad Hard

Grad Soft

Grad Hard

Grad Soft

$ 120.00 / ea.
$ 100.00 / ea.


Sunset 1


Sunset 2


Sunset 3


Sunset Orange


Sunset Red


Sunset Yellow






$ 120.00 / ea.


Tobacco 1


Tobacco 2



Tobacco 3

Grad Hard

Grad Soft

Grad Hard

Grad Soft

Grad Hard

Grad Soft

$ 100.00 / ea.
$ 140.00


Yellow


Yellow Stripe

Grad Hard

Grad Soft

$ 100.00 / ea.
$ 140.00


Mist Grad


Mist Spot


Mist Stripe



$ 100.00 / ea.


Black Net 1


Black Net 2


White Net



$ 100.00 / ea.


4 pt. Star Spot


6 pt. Star Grad


8 pt. Star Segment



 

Graduated Filter Sets

All sets hard graduation unless otherwise stated.

Set
Filters Included
Price
Add to Cart
Autumn Tint Set
Chocolate 2, Tobaco 2, Coral 6
$ 200.00

Colour Grad
Yellow, Magenta, Cyan
$ 200.00

Coral
Coral 2, Coral 4, Coral 6
$ 200.00

Landscape
Real Blue 2, Sepia 2, Straw 3
$ 200.00

Mist
Mist Grad, Mist Stripe, Mist Clear Spot
$ 200.00

ND Grad Hard
ND3, ND6, ND9
$ 350.00

ND Grad Soft
ND3, ND6, ND9
$ 350.00

Net
Black Net 1, Black Net 2, White Net
$ 145.00

Pale Tint
Pink 1, Cyan 1, Green 1
$ 200.00

Pop
Pop Blue, Pop Green, Pop Red
$ 200.00

Selective Star
8pt. Star Segment, 6pt. Star Grad., 4pt. Star Spot
$ 200.00

Sky
Sunset 2, Sky Blue 3, Coral Stripe
$ 200.00

Sky Blue
Sky Blue 1, Sky Blue 2, Sky Blue 3
$ 200.00

Stripe
Cyan Stripe, Pink Stripe, Yellow Stripe
$ 200.00

Sunrise
Mahogany 1, Straw 2, Straw Stripe
$ 200.00

Sunset
Sunset Red, Sunset Orange, Sunset Yellow
$ 200.00

Twilight
Twilight, Mahogany 3, Pale Coral Stripe
$ 200.00

 

RF75 System *NEW*

The RF75 Filter System has been designed to offer a high quality precision filter holder that is compact, lightweight and will fit to lenses with a diameter of 67mm or less. The holder is primarily offered to users of rangefinder and high end digital compact cameras, but will equally be of use for large and medium format users who require a smaller, more compact filter system. The RF75 System includes a full range of filters sized 75mm x 90mm. These filters are hand made to the same exacting quality standards of colour and optical flatness found in the renowned LEE 100mm System. In keeping with the smaller size, the filter graduation zones have been adjusted to suit the smaller system. These changes have been made through extensive testing and in conjunction with top landscape photographers.

 

Sets

Set
Filters Included
Price
Add to Cart
RF75 Advanced Filter Set
ND9, ND6 to 81B Grad Combination, 81B
$ 295.00

RF75 Digital Advanced Filter Set
ND9 ProGlass, ND6 to 81B Grad Combination, 81B
$ 380.00

RF75 Basic Filter Set
ND6 Grad Hard, ND6 , 81B Grad Hard
$ 260.00

RF75 Digital Basic Filter Set
ND6 Grad Hard, ND6 ProGlass, 81B Grad Hard
$ 350.00

RF75 B&W Set
#8, #11, #23A
$ 285.00

RF75 ND Grad Hard Set
ND3, ND6, ND9
$ 285.00

RF75 ND Grad Soft Set
ND3, ND6, ND9
$ 285.00

 

RF75 Glass Polariser

A unique clip-on polariser that snaps onto the front of the holder quick and easily. It also has the benefit of being able to rotate independently of any graduated filters being used in the holder. The Polariser is a Circular Type so it can be used on both digital and film cameras.

Price
Add to Cart
$415.00

 

RF75 Neutral Density Filters

Standard (Solid)

Neutral Density
Stop Value
Transmission %
75mm x 90mm $125.00/ea.
0.3
1
50

0.45
1 1/2
39.8

0.6
2
25

0.75
2 1/2
19.6

0.9
3
12.5

Graduated

Neutral Density
Stop Value
Transmission %
75mm x 90mm $115.00/ea.
0.3 Grad Hard
1
50

0.3 Grad Soft
1
50

0.45 Grad Hard
1 1/2
39.8

0.45 Grad Soft
1 1/2
39.8

0.6 Grad Hard
2
25

0.6 Grad Soft
2
25

0.75 Grad Hard
2 1/2
19.6

0.75 Grad Soft
2 1/2
19.6

0.9 Grad Hard
3
12.5

0.9 Grad Soft
3
12.5

 

RF75 ProGlass
Neutral Density Standard Filters

Neutral Density
Stop Value
Transmission %
75mm x 90mm $205.00/ea.
0.6
2
25

0.9
3
12.5

 

 

RESIN CAMERA FILTERS

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