
Resin Camera Filters
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here to view "Before
and After" samples.
Technical Filters
Colour Temperature Adjustment Filters
A range of filters which are used to convert the colour temperature
of a light source to balance with the film type in use, or to create
an intentional warm or cool effect.
|
Description
|
Filter
|
Approximate Exposure Increase
|
Conversion
|
Mired Shift
|
100mm x 100mm $100.00/ea.
|
|
Blue for major adjustment
|
80A
|
2
|
3200K to 5500K
|
-131
|
|
|
80B
|
1 2/3
|
3400K to 5500K
|
-112
|
|
|
80C
|
1
|
3800K to 5500K
|
-81
|
|
|
80D
|
2/3
|
4200K to 5500K
|
-56
|
|
|
Pale Blue for fine adjustment
|
82C
|
2/3
|
2800K to 3200K
|
-45
|
|
|
82B
|
2/3
|
21000K to 3200K
|
-32
|
|
|
82A
|
1/3
|
3000K to 3200K
|
-21
|
|
|
82
|
1/3
|
3100K to 3200K
|
-10
|
|
|
Pale Amber for fine adjustment
|
81
|
1/3
|
3300K to 3200K
|
+9
|
|
|
81A
|
1/3
|
3400K to 3200K
|
+18
|
|
|
81B
|
1/3
|
3500K to 3200K
|
+27
|
|
|
81C
|
1/3
|
3600K to 3200K
|
+35
|
|
|
81D
|
2/3
|
3700K to 3200K
|
+42
|
|
|
81EF
|
2/3
|
3850K to 3200K
|
+53
|
|
|
Amber for major adjustment
|
85C
|
2/3
|
5500K to 3800K
|
+81
|
|
|
85
|
2/3
|
5500K to 3400K
|
+112
|
|
|
85B
|
2/3
|
5500K to 3200K
|
+131
|
|
Neutral Density Filters
These filters reduce light transmission uniformly over the visible
region of the spectrum, in definitive steps. Although used mainly in
colour photography for reducing light levels without colour change,
they can also be used for black and white photography. They are particularly
useful for compensating for too much light, in circumstances where changing
the shutter speed, aperture or film type is not possible or desirable.
For example, exposure time can be increased to achieve special effects
when photographing running water and waterfalls etc., without adjusting
the aperture. In addition, depth of field can be reduced by increasing
the aperture by the stop value of the filter used. For example, if the
aperture is required to be f4 yet correct exposure is at f8 and the
speed cannot be changed, a 0.6ND will allow the setting of the f4 aperture.
Standard (Solid)
|
Neutral Density
|
Stop Value
|
Transmission %
|
100mm x 100mm $150.00/ea.
|
|
0.3
|
1
|
50
|
|
|
0.45
|
1 1/2
|
39.8
|
|
|
0.6
|
2
|
25
|
|
|
0.75
|
2 1/2
|
19.6
|
|
|
0.9
|
3
|
12.5
|
|
|
1.2
|
4
|
6.25
|
$225.00/ea.
|
|
*** NEW ***
|
|
|
10
|
0.98
|
$185.00/ea.
|
Graduated
|
|
|
|
Hard Graduation
|
Soft Graduation
|
|
Neutral Density
|
Stop Value
|
Transmission %
|
100mm x 150mm $135.00/ea.
|
|
0.3 Grad Hard
|
1
|
50
|
|
|
0.3 Grad Soft
|
1
|
50
|
|
|
0.45 Grad Hard
|
1 1/2
|
39.8
|
|
|
0.45 Grad Soft
|
1 1/2
|
39.8
|
|
|
0.6 Grad Hard
|
2
|
25
|
|
|
0.6 Grad Soft
|
2
|
25
|
|
|
0.75 Grad Hard
|
2 1/2
|
19.6
|
|
|
0.75 Grad Soft
|
2 1/2
|
19.6
|
|
|
0.9 Grad Hard
|
3
|
12.5
|
|
|
0.9 Grad Soft
|
3
|
12.5
|
|
|
NEW
|
|
1.2 Grad Hard
|
4
|
6.25
|
$215.00/ea.
|
|
1.2 Grad Soft
|
4
|
6.25
|
|
Lee Filters ProGlass
Neutral Density Standard Filters
When shooting digitally, light at the infrared and ultraviolet ends
of the spectrum can be problematic. The ProGlass range of filters has
been designed with this in mind. These glass neutral density filters
are optimized for use with digital cameras, as they absorb more infrared
and ultraviolet light than traditional ND filters. The result is a punchier
image, with less discolouration in adverse lighting conditions.
|
Neutral Density
|
Stop Value
|
Transmission %
|
100mm x 100mm $255.00/ea.
|
|
0.6
|
2
|
25
|
|
|
0.9
|
3
|
12.5
|
|
Flourescent Correction Filters
This system offers filter solutions to many fluorescent correction
problems. Both colour temperature conversion and green absorption functions
are combined into one filter; the filter used will depend on the fluorescent
light and film type.
|
Film Type
|
Filter
|
Approximate Exposure Increase
|
Light Source
|
100mm x 100mm $120.00/ea.
|
|
Tungsten (3200K)
|
FLB5700
|
1 1/3
|
Cool White 5700K
|
|
|
FLB4300
|
1
|
White 4300K
|
|
|
FLB3600
|
2/3
|
Warm White 3600K
|
|
|
Daylight (5500K)
|
FLD5700
|
2/3
|
Cool White 5700K
|
|
|
FLD4300
|
1
|
White 4300K
|
|
|
FLD3600
|
1 2/3
|
Warm White 3600K
|
|
Colour Compensating Filters
A range of filters recommended for use either in front of or behind
the lens. They control the spectrum by reducing the transmission at
specific wavelengths. They are primarily used to colour balance films,
the required filter being determined as a result of tests, or as specified
by the manufacturer. They can also be useful for correcting light sources
for which no one conversion filter exists, or for adding a deliberate
colour bias.
The values shown are approximate exposure
increases to compensate for the filters used.
100mm x 100mm
*** Click on the
value to add to Shopping Cart ***
|
CC
|
025
|
05
|
10
|
15
|
20
|
25
|
30
|
40
|
50
|
$100.00/ea.
|
| Cyan |
|
|
|
|
|
|
|
|
|
Principally absorbs Red
|
| Yellow |
|
|
|
|
|
|
|
|
|
Principally absorbs Blue |
| Magenta |
|
|
|
|
|
|
|
|
|
Principally absorbs Green |
| Red |
|
|
|
|
|
|
|
|
|
Principally absorbs Blue
& Green |
| Green |
|
|
|
|
|
|
|
|
|
Principally absorbs Blue & Red |
| Blue |
|
|
|
|
|
|
|
|
|
Principally absorbs Red
& Green |
Ultra Violet Absorbing Filters
A range of filters used to absorb varying amounts of ultra violet
radiation which can cause haze or bluish cast in distant landscapes,
scenes over water, and aerial photography.
|
Filter
|
Description
|
100mm x 100mm $100.00/ea.
|
|
1A
|
Maximum absorption of 0.076A (84%) at 535
nanometres
|
|
|
1B
|
Maximum absorption of 0.086A (82%) at 525
nanometres
|
|
|
2B
|
Maximum absorption of 0.72A (19%) at 400
nanometres
|
|
|
2C
|
Maximum absorption of 0.39A (40.5%) at 400
nanometres
|
|
Tricolour Filters
|
Colour
|
Filter
|
Description
|
Approximate Exposure Increase
|
100mm x 100mm $140.00/ea.
|
|
Tricolour Red
|
25
|
Separation filter. Maximum transmission above
610 nanometres. Also used for black and white contrast effects,
haze penetration in aerial photography, and removing blue in infra-red
photography.
|
21/2 to 3
|
|
Filters for Black and White Photography
The table below details the results achieved using the black and
white filter range. All descriptions refer to the filter's effect when
used with black and white film (except where noted). Samples Below.
|
Colour
|
Filter
|
Description
|
Approximate Exposure Increase
|
100mm x 100mm $140.00/ea.
|
|
Light Yellow
|
3
|
Partially corrects for excess blue in aerial
photography.
|
0
|
|
|
Yellow
|
8
|
Darkens sky, cloud and foliage to reproduce
correct tones.
|
+1/3
|
|
|
Yellowish-Green
|
11
|
Used to alter the response of panchromatic
emulsions to be equivalent to the natural response of the eye
to objects under tungsten illumination. Greens are reproduced
slightly lighter in daylight.
|
+1 1/3
|
|
|
Deep Yellow
|
12
|
Minus blue filter. Can be used to cancel
blue light when infrared-sensitive films are exposed. Also penetration
of haze during aerial photography.
|
+1/3
|
|
|
Deep Yellow
|
15
|
Increases contrast between cloud and sky
greater than No. 8, for over-correction effect. Also used for
copying documents on yellowed paper.
|
+2/3
|
|
|
Yellow Orange
|
16
|
Gives even greater over-correction than No.
15. Absorbs a small amount of green.
|
+2/3
|
|
|
Orange
|
21
|
Contrast filter. Absorbs blue and blue/green.
|
+1
|
|
|
Light Red
|
23A
|
Greater contrast effect than No. 21.
|
+2
|
|
Samples
|
|
|
|
Unfiltered Colour
|
Unfiltered
|
|
|
|
|
Light Yellow 3
Darkens blue tones
|
Yellow Green 11
Lightens greens / darkens reds
|
|
|
|
|
Orange 21
Lightens reds / darkens some blue and blue/green
|
Light Red 23A
Dramatically lightens reds and darkens blue
and green
|
Effect Filters
Glass Polarisers
These high quality glass filters manage the waveforms of light travelling
to the camera from most reflective surfaces. Glare and reflected light
can be altered by rotation of the polarising filter. The effect can
be seen through the lens of the reflex cameras as the filter is rotated.
When used outside on sunny days, polarising filters have the effect
of saturating colours and deepening blue skies. They can also be used
in conjunction with other filters (although the polariser should always
be placed in front of polyester filters to ensure it functions correctly).
Polarising filters are available in two types, linear and circular.
This is not referring to the physical shape of the filter but to the
way the filter changes the light waves thereby achieving the polarising
effect. The type of polariser required (linear or circular) depends
entirely on the type of camera the photographer is using. Modern reflex
cameras with autofocus or complex metering systems, if used with a polariser,
will only function correctly when a circular polariser is used. Manual
focus cameras of all types can normally be used with either a linear
or a circular type. Both linear and circular polarisers are available
from Lee Filters in both a rotating 105mm diameter version and a 100x100mm
square version. 100mm square polarisers are to be used in the filter
holder, the entire holder is then rotated to achieve the correct effect.
Recommended for studio use or for when only the polariser and, possibly,
standard filters are to be used.
|
|
 |
|
Unfiltered
|
Filtered
|
|
100mm x 100mm
|
Type
|
Price
|
Add to Cart
|
|
|
Linear
|
$ 275.00
|
|
|
Circular
|
|
|
|
105mm
|
Type
|
Price
|
Add to Cart
|
|
|
Linear
|
$ 285.00
|
|
|
Circular
|
$450.00
|
|
105mm rotating polarisers are attached to the filter system via
a special ring that is fitted to the front of the holder. This allows
the polariser to be rotated independently of any grads used and is ideal
for landscape photography where extra flexibility is required.

| |
Description
|
Price
|
Add to Cart
|
|
|
105mm Accessory Ring
|
$ 65.00
|
|
Glass Enhancer
The glass enhancer offered by Lee Filters enhances mostly the red
and orange elements in the spectrum by accentuating the other colours.
Ideal for use in landscapes and some types of architectural photography,
it causes many unusual effects with different types of light. Viewing
the subject through the filter first, without mounting on the lens,
helps to identify which parts of the picture will be affected.
|
|
 |
|
Unfiltered
|
Filtered
|
|
100mm x 100mm
|
Approximate Exposure Increase
|
Price
|
Add to Cart
|
|
|
1
|
$ 365.00
|
|
Glass Soft Focus
The LEE Glass Soft Focus filter gives a gentle, flattering effect,
which is not obviously noticeable unless compared with an unfiltered
shot. It has minimal effect on contrast and does not overpower the image.
Changes in aperture or focal length will not have an adverse effect.
As well as being used indoors the LEE Glass Soft Focus Filter can be
used just as well outdoors by landscape photographers. It can be used
to soften foreground objects and can give a pleasing almost 3D effect
to the image.
|
100mm x 100mm
|
Price
|
Add to Cart
|
|
Glass Soft Focus
|
$ 310.00
|
|
100mm x 100mm Resin Effect Filters
100mm x 100mm
$ 100.00 / ea.
|
Fog 1
|
Fog 2
|
Fog 3
|
Fog 4
|
Fog 5
|
|
|
|
|
|
|
Low Contrast 1/4
|
Low Contrast 1/2
|
Low Contrast 3/4
|
Low Contrast 1
|
Low Contrast 1 1/2
|
|
|
|
|
|
|
Black Net 1
|
Black Net 2
|
White Net 1
|
White Net 2
|
Flesh Net
|
|
|
|
|
|
|
100mm x 150mm Resin Effect Filters
|
$ 100.00 / ea.
|

Real Blue 1
|

Real Blue 2
|

Real Blue 3
|
|
Grad Hard
|
Grad Soft
|
Grad Hard
|
Grad Soft
|
Grad Hard
|
Grad Soft
|
|
$ 100.00 / ea.
|

Sky Blue 1
|

Sky Blue 2
|

Sky Blue 3
|

Sky Blue 4
|

Sky Blue 5
|
|
Grad Hard
|
Grad Soft
|
Grad Hard
|
Grad Soft
|
Grad Hard
|
Grad Soft
|
Grad Hard
|
Grad Soft
|
Grad Hard
|
Grad Soft
|
|
|
$ 140.00
|
$ 120.00
|

Cyan
|

Cyan 1
|

Pop Blue
|
Blue Stripe
|

Twilight
|
|
Grad Hard
|
Grad Soft
|
Grad Hard
|
Grad Soft
|
Grad Hard
|
Grad Soft
|
|
|
|
$ 120.00 / ea.
|

Chocolate 1
|

Chocolate 2
|
|
Grad Hard
|
Grad Soft
|
Grad Hard
|
Grad Soft
|
|
$ 100.00 / ea.
|

Coral 1
|

Coral 2
|

Coral 3
|

Coral 4
|

Coral 5
|
|
Grad Hard
|
Grad Soft
|
Grad Hard
|
Grad Soft
|
Grad Hard
|
Grad Soft
|
Grad Hard
|
Grad Soft
|
Grad Hard
|
Grad Soft
|
|
$ 100.00 / ea.
|

Coral 6
|

Coral 7
|

Coral 8
|

Coral 9
|

Coral 10
|
|
Grad Hard
|
Grad Soft
|
Grad Hard
|
Grad Soft
|
Grad Hard
|
Grad Soft
|
Grad Hard
|
Grad Soft
|
Grad Hard
|
Grad Soft
|
|
$ 100.00 / ea.
|
$ 140.00 / ea.
|

Coral 11
|

Coral 12
|

Coral 13
|

Coral 14
|
Pale Coral Stripe
|
Coral Stripe
|
|
Grad Hard
|
Grad Soft
|
Grad Hard
|
Grad Soft
|
Grad Hard
|
Grad Soft
|
Grad Hard
|
Grad Soft
|
|
|
|
$ 100.00 / ea.
|

Green 1
|

Pop Green
|
|
Grad Hard
|
Grad Soft
|
Grad Hard
|
Grad Soft
|
|
$ 100.00 / ea.
|
$ 140.00 / ea.
|
|
Magenta
|

Pink 1
|

Pink Stripe
|
|
Grad Hard
|
Grad Soft
|
Grad Hard
|
Grad Soft
|
|
|
$ 120.00 / ea.
|

Mahogany 1
|

Mahogany 2
|

Mahogany 3
|
|
Grad Hard
|
Grad Soft
|
Grad Hard
|
Grad Soft
|
Grad Hard
|
Grad Soft
|
|
$ 100.00
|

Pop Red
|
|
Grad Hard
|
Grad Soft
|
|
$ 120.00 / ea.
|

Sepia 1
|

Sepia 2
|
Sepia 3
|
|
Grad Hard
|
Grad Soft
|
Grad Hard
|
Grad Soft
|
Grad Hard
|
Grad Soft
|
|
|
$ 140.00 / ea.
|

Straw 1
|

Straw 2
|

Straw 3
|

Straw Stripe
|
|
Grad Hard
|
Grad Soft
|
Grad Hard
|
Grad Soft
|
Grad Hard
|
Grad Soft
|
|
|
$ 120.00 / ea.
|
|

Sunset 1
|

Sunset 2
|

Sunset 3
|

Sunset Orange
|

Sunset Red
|

Sunset Yellow
|
|
|
|
|
|
|
|
|
$ 120.00 / ea.
|

Tobacco 1
|

Tobacco 2
|
Tobacco 3
|
|
Grad Hard
|
Grad Soft
|
Grad Hard
|
Grad Soft
|
Grad Hard
|
Grad Soft
|
|
$ 100.00 / ea.
|
$ 140.00
|

Yellow
|

Yellow Stripe
|
|
Grad Hard
|
Grad Soft
|
|
|
$ 100.00 / ea.
|
$ 140.00
|

Mist Grad
|

Mist Spot
|

Mist Stripe
|
|
|
|
|
|
$ 100.00 / ea.
|

Black Net 1
|

Black Net 2
|

White Net
|
|
|
|
|
|
$ 100.00 / ea.
|

4 pt. Star Spot
|

6 pt. Star Grad
|

8 pt. Star Segment
|
|
|
|
|
Graduated Filter Sets
All sets hard graduation unless otherwise stated.
|
Set
|
Filters Included
|
Price
|
Add to Cart
|
|
Autumn Tint Set
|
Chocolate 2, Tobaco 2, Coral 6
|
$ 200.00
|
|
|
Colour Grad
|
Yellow, Magenta, Cyan
|
$ 200.00
|
|
|
Coral
|
Coral 2, Coral 4, Coral 6
|
$ 200.00
|
|
|
Landscape
|
Real Blue 2, Sepia 2, Straw 3
|
$ 200.00
|
|
|
Mist
|
Mist Grad, Mist Stripe, Mist Clear Spot
|
$ 200.00
|
|
|
ND Grad Hard
|
ND3, ND6, ND9
|
$ 350.00
|
|
|
ND Grad Soft
|
ND3, ND6, ND9
|
$ 350.00
|
|
|
Net
|
Black Net 1, Black Net 2, White Net
|
$ 145.00
|
|
|
Pale Tint
|
Pink 1, Cyan 1, Green 1
|
$ 200.00
|
|
|
Pop
|
Pop Blue, Pop Green, Pop Red
|
$ 200.00
|
|
|
Selective Star
|
8pt. Star Segment, 6pt. Star Grad., 4pt.
Star Spot
|
$ 200.00
|
|
|
Sky
|
Sunset 2, Sky Blue 3, Coral Stripe
|
$ 200.00
|
|
|
Sky Blue
|
Sky Blue 1, Sky Blue 2, Sky Blue 3
|
$ 200.00
|
|
|
Stripe
|
Cyan Stripe, Pink Stripe, Yellow Stripe
|
$ 200.00
|
|
|
Sunrise
|
Mahogany 1, Straw 2, Straw Stripe
|
$ 200.00
|
|
|
Sunset
|
Sunset Red, Sunset Orange, Sunset Yellow
|
$ 200.00
|
|
|
Twilight
|
Twilight, Mahogany 3, Pale Coral Stripe
|
$ 200.00
|
|
RF75 System
*NEW*
The RF75
Filter System has been designed to offer a high quality precision
filter holder that is compact, lightweight and will fit to lenses with
a diameter of 67mm or less. The holder is primarily offered to users
of rangefinder and high end digital compact cameras, but will equally
be of use for large and medium format users who require a smaller, more
compact filter system. The RF75 System includes a full range of filters
sized 75mm x 90mm. These filters are hand made to the same exacting
quality standards of colour and optical flatness found in the renowned
LEE 100mm System. In keeping with the smaller size, the filter graduation
zones have been adjusted to suit the smaller system. These changes have
been made through extensive testing and in conjunction with top landscape
photographers.
Sets
|
Set
|
Filters Included
|
Price
|
Add to Cart
|
|
RF75 Advanced Filter Set
|
ND9, ND6 to 81B Grad Combination,
81B
|
$ 295.00
|
|
|
RF75 Digital Advanced Filter Set
|
ND9 ProGlass, ND6 to 81B Grad Combination,
81B
|
$ 380.00
|
|
|
RF75 Basic Filter Set
|
ND6 Grad Hard, ND6 , 81B Grad Hard
|
$ 260.00
|
|
|
RF75 Digital Basic Filter Set
|
ND6 Grad Hard, ND6 ProGlass, 81B Grad
Hard
|
$ 350.00
|
|
|
RF75 B&W Set
|
#8, #11, #23A
|
$ 285.00
|
|
|
RF75 ND Grad Hard Set
|
ND3, ND6, ND9
|
$ 285.00
|
|
|
RF75 ND Grad Soft Set
|
ND3, ND6, ND9
|
$ 285.00
|
|
RF75 Glass Polariser
A unique clip-on polariser that snaps onto the front
of the holder quick and easily. It also has the benefit of being able
to rotate independently of any graduated filters being used in the holder.
The Polariser is a Circular Type so it can be used on both digital and
film cameras.

|
|
Price
|
Add to Cart
|
|
|
$415.00
|
|
RF75 Neutral Density Filters
Standard (Solid)
|
Neutral Density
|
Stop Value
|
Transmission %
|
75mm x 90mm $125.00/ea.
|
|
0.3
|
1
|
50
|
|
|
0.45
|
1 1/2
|
39.8
|
|
|
0.6
|
2
|
25
|
|
|
0.75
|
2 1/2
|
19.6
|
|
|
0.9
|
3
|
12.5
|
|
Graduated
|
Neutral Density
|
Stop Value
|
Transmission %
|
75mm x 90mm $115.00/ea.
|
|
0.3 Grad Hard
|
1
|
50
|
|
|
0.3 Grad Soft
|
1
|
50
|
|
|
0.45 Grad Hard
|
1 1/2
|
39.8
|
|
|
0.45 Grad Soft
|
1 1/2
|
39.8
|
|
|
0.6 Grad Hard
|
2
|
25
|
|
|
0.6 Grad Soft
|
2
|
25
|
|
|
0.75 Grad Hard
|
2 1/2
|
19.6
|
|
|
0.75 Grad Soft
|
2 1/2
|
19.6
|
|
|
0.9 Grad Hard
|
3
|
12.5
|
|
|
0.9 Grad Soft
|
3
|
12.5
|
|
RF75 ProGlass
Neutral Density Standard Filters
|
Neutral Density
|
Stop Value
|
Transmission %
|
75mm x 90mm $205.00/ea.
|
|
0.6
|
2
|
25
|
|
|
0.9
|
3
|
12.5
|
|